4.296 file audio bebas royalti untuk "59 Limit Tuning And Intervals"

interval perfect 5th melodic

interval major 6rd melodic

Italiano: Scala di do mixolidio.

I created this file myself to illustrate the concept of interval class.

Compound minor third on C (Augmented ninth), MIDI

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Tritone on C = F♯/G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: 0,64 Midi created in Sibelius.

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

*Wallis product (pi/2) on C. π/2 = 781.79 cents. MIDI pitch bend: 22,90 on P5

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

20 steps in 72-et on C: 333.33.

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69

*Silver ratio (δS) on C. Just: 1+√2:1 = 1525.86 cents. MIDI pitch bend: 35,72

*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77

*1 step in 7-et on C. Equal-tempered: 21/7:1 = 171.43 cents. MIDI pitch bend: 110,54

*Major third on C = E. Equal-tempered: 24/12:1 = 400 cents. MIDI pitch bend: 0,64

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Brahms Intermezzo Op 118 no. 4

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.